Author:William Faulkner

This postbellum Greek tragedy is the perfect introduction to Faulkner’s elaborate descriptive syntax.
Quentin Compson and Shreve, his Harvard roommate, are obsessed with the tragic rise and fall of Thomas Sutpen. As a poor white boy, Sutpen was turned away from a plantation owner's mansion by a black butler. From then on, he was determined to force his way into the upper echelons of Southern society. His relentless will ensures his ambitions are soon realised; land, marriage, children, his own troop to fight in the Civil War... but Sutpen returns from the conflict to find his estate in ruins and his family collapsing. Secrets from his own past threaten to ruin the lives of his children and destroy everything he has worked for.
The novel in which Faulkner most profoundly and completely says what he has to say about the South and the human condition
—— Walter AllenFor range of effect, philosophical weight, originality of style, variety of characterisation, humour and tragic intensity [Faulkner's Works] are without equal in our time and country
—— Robert Penn WarrenFor all his concern with the South, Faulkner was actually seeking out the nature of man. Thus we must turn to him for that continuity of moral purpose which made which made for the greatness of our classics
—— Ralph EllisonThe magnitude of Faulkner's characters lies in their blood and bone and sinew: the exquisite specificity of their human fallibility... Faulkner seemed incapable of separating intimate character from universal truth, and this rough refusal - both humble and defiant - was at the root of his force as a writer... No other American writer has achieved such staggering heights of form
—— Boston GlobeHeart-pinching
—— New York TimesA dazzling meditation on memory, history, destiny, race, miscegenation, class, and - of course - incest
—— The TimesBy universal consent of critics and common readers, Faulkner is now recognised as the strongest American novelist of the century, clearly surpassing Ernest Hemingway and Scott Fitzgerald, and standing as an equal in the sequence that includes Hawthorne, Melville, Mark Twain and Henry James
—— Harold BloomHis mind to him a kingdom was; or rather, a county, Yoknapatawpha. He breathed on it and gave it life, a luminous world of rustics, comic and sinister, of inchoate historical processes and tragic human beings, earning dignity by endurance
—— IndependentThis small but perfectly formed third novel from Kitty Aldridge is over too soon but is impressively accomplished, nailing the distinctive voice of its protagonist… Inventive coming-of-age tale
—— MetroKitty Aldridge’s latest novel mixes pathos and bathos in industrial quantities…he [Lee Hart] is an immensely likeable protagonist and Aldridge has absolutely captured his engagingly open inner voice
—— Scotland on SundayAn uplifting tale of life after death. Dead good
—— Time OutWonderful… I am completely convinced by Lee and drawn along with his narrative voice which Kitty Aldridge has pitched to perfection… Kitty has taken a taboo subject and achieved that fine balance, writing engagingly and openly, and with great sensitivity and humour about something most of us just don't like to think or talk about
—— Dove Grey ReaderAldridge’s writing is a rare find: startlingly original without being showy, skilfully crafted but not selfconsciously literary, a genuine, honest voice… Harrowing and hilarious, profound but unpretentious, this book conjures up a compelling world and an eminently likeable protagonist. For all the dead bodies and thwarted lives, it is surprisingly uplifting
—— Juanita Coulson , The LadyPeebles' keen eye for social observation adds a comic touch to the narrative, expertly showing how black humour is used in bleak times.
—— Rowena McIntosh , The SkinnyPeebles writes poetic prose, capturing Aggie's imaginative character and her need to find meaning in the puzzle of circumstances she finds herself in. The insight into dementia and its impact upon a family is poignant, with Aggie desperate to recapture the history of a beloved Gran who is disappearing in front of her eyes. The novel strongly evokes the Scottish countryside, its link to the past and the secrets it keeps. The story may be a slow burner, but keep going because its gentle pace builds up to a satisfying conclusion
—— Penny Batchelor , We Love This Book






