Author:Hans Fallada

A Small Circus is a powerful 1931 portrayal of a German town on the brink of chaos, from bestselling author Hans Fallada (writer of Alone in Berlin)
It is summer, 1929, and in a small German town a storm is brewing. The shabby reporter Tredup leads a precarious existence working for the Pomeranian Chronicle - until he takes some photographs that offer the chance to make a fortune. In Krüger's bar, the farmers are plotting their revenge on greedy officials. A mysterious travelling salesman from Berlin , Henning, is stirring up trouble - but no one knows why. Meanwhile the Nazis grow stronger and the Communists fight them in the streets. And at the centre of it all, the Mayor, 'Fatty' Gareis, seeks the easy life even as events spiral beyond his control.
As tensions erupt between workers and bosses, town and country, Left and Right, alliances are broken, bribes are taken and plots are hatched, until the tension spills over into violence.
'Uncommonly vivid and original' Robert Musil
'Real love and real humanity' Hermann Hesse
'The best account of small-town Germany ... so terribly genuine, it is frightening' Kurt Tucholsky
'This novel's genius ... lies in Fallada's ability to reveal ... as well as to analyse the macabre game of musical chairs that was the Weimar Republic. Fallada gives us front-row seats to Germany's decade-long quest for a sacrificial scapegoat that culminated in the Nazi takeover ... Two years after Alone in Berlin's runaway success, A Small Circus continues the Fallada revival that owes so much to the efforts of its translator, the poet Michael Hofmann' André Naffis-Sahely, Independent
'Fallada creates characters with Dickensian prodigality, each yokel, hack, pig and pen-pusher brought to life in Michael Hofmann's beautifully judged translation ... a generous, life-affirming treat' Jake Kerridge, Telegraph
'Michael Hofmann ... comes as close as possible to giving us Fallada's work in all its coarse, humorous, immediate, tragic glory' Charlotte Moore, Spectator
'Not for the first time, all praise is due to Michael Hofmann's art and feel for nuance. His translation catches the many voices - some exasperated, others bewildered, a few downright angry - that make this bold, exuberant and candid narrative sizzle with life and the relentlessly shocking reality of it all' Irish Times
'Fallada's own experiences as a regional journalist in north Germany underlie the action, and it is this sense of realism, combined with an ear for dialogue and an acute understanding of human frailty, that make the novel such an authentic portrayal of an imploding era' Ben Hutchinson, Observer
Uncommonly vivid and original
—— Robert MusilReal love and real humanity
—— Hermann HesseThe best account of small-town Germany ... so terribly genuine, it is frightening
—— Kurt TucholskyThis novel's genius ... lies in Fallada's ability to reveal ... as well as to analyse the macabre game of musical chairs that was the Weimar Republic. Fallada gives us front-row seats to Germany's decade-long quest for a sacrificial scapegoat that culminated in the Nazi takeover. ... Two years after Alone in Berlin's runaway success, A Small Circus continues the Fallada revival that owes so much to the efforts of its translator, the poet Michael Hofmann
—— André Naffis-Sahely , IndependentFallada creates characters with Dickensian prodigality, each yokel, hack, pig and pen-pusher brought to life in Michael Hofmann's beautifully judged translation ... a generous, life-affirming treat
—— Jake Kerridge , TelegraphMichael Hofmann ... comes as close as possible to giving us Fallada's work in all its coarse, humorous, immediate, tragic glory
—— Charlotte Moore , SpectatorNot for the first time, all praise is due to Michael Hofmann's art and feel for nuance. His translation catches the many voices - some exasperated, others bewildered, a few downright angry - that make this bold, exuberant and candid narrative sizzle with life and the relentlessly shocking reality of it all
—— Irish TimesFallada's own experiences as a regional journalist in north Germany underlie the action, and it is this sense of realism, combined with an ear for dialogue and an acute understanding of human frailty, that make the novel such an authentic portrayal of an imploding era
—— Ben Hutchinson , ObserverA major new voice in historical fiction
—— The BooksellerWildly entertaining . . . One of the best historical novels I've read
—— Huffington PostThe thrilling follow-up to Treasure Island, as told by one of England's greatest contemporary writers...Silver is a worthy sequel to Treasure Island and a work of extraordinary authenticity
—— GQLike Stevenson, Motion has achieved that very difficult thing: a children’s novel that works even better for adults. Look to your laurels, Rowling
—— The TimesA solid adventure yarn, full of ghostly echoes of Stevenson, with a denser tropical atmosphere and an even more palpable sense of evil
—— TLSThere are sequels and prequels aplenty, but this follow-up to Robert Louis Stevenson’s Treasure island by the former Poet Laureate reeks of authenticity, cunning, intrigue, suspense and adventure.It’s brilliant, and for all ages
—— Henry Sutton , Daily MirrorHe reinvents Stevenson’s world to reveal its dark underside, illuminating both its mysterious beauty and its grim immortality.Silver provides a fitting sequel to Treasure Island, certainly, but also stands in its own right as a companion volume to a literary classic.
—— Daisy Hay , The ObserverSilver is a deeply pleasing and convivial book… As with Treasure Island, Silver is left open to the possibility of its own sequel, and surely no one would wish Motion to swallow the anchor. All aboard! All aboard! All aboard that's coming aboard.
—— Ian Sansom , The GuardianSilver…captures something of the old magic. The thrilling flight across moor and heather that Henry James admired in Kidnapped.... finds expression in Silver’s action scenes set amid Caribbean waters.
—— Ian Thomson , Financial TimesBeautifully written and genuinely exciting... Motion’s novel stays true to Stevenson’s original... Outstanding.
—— Emma Lee-Potter, author of House With No NameSilver’s plot twists and turns and introduces elements beyond even Stevenson’s imagination. The result is a fascinating and richly coloured novel that can be read by children with an appetite for adventure and adults who will relish reliving the glory days of youth.
—— Alan Taylor , HeraldElegant, affectionate homage to Robert Louis Stevenson is straight out of this classic adventure-story mould… A piece of writing born of genuine love and respect for the original.
—— Adam Lively , Sunday TimesA thrilling follow-up to Robert Louis Stevenson’s Treasure Island...Silver is a novel that will appeal to readers of all ages. Beautifully written and genuinely exciting...Best of all, Motion’s novel stays true to Stevenson’s original tale while adding an extra dimension.
—— Emma Lee-Potter , Daily ExpressElegant, thrilling sequel...The plot is gripping, a mixture of high adventure, low cunning and desperation...Motion’s prose vivid and glowingly poetic, is a brilliant counterpoint to the fascinating action.
—— Eithne Farry , Daily MailThis is a pacey tale with an appropriately feisty young heroine for modern readers
—— Lesley McDowell , Independent on SundayAndrew Motion brings lyricism but, more importantly, rollicking adventure to this sequel to Treasure Island
—— Mail on Sunday






