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A Moth to a Flame
A Moth to a Flame
Nov 12, 2025 6:51 PM

Author:Stig Dagerman,Benjamin Miers-Cruz,Siri Hustvedt

A Moth to a Flame

'A startling novel of ferocious psychological acumen, which, to my mind, deserves a large, international readership... very much a book for our times' Siri Hustvedt, from the introduction

'A literary giant in Sweden, Dagerman conjures a Strindbergian atmosphere of shadowy menace in his brief, intense novel, A Moth to a Flame... This moody, death-haunted novel is well worth reading' Evening Standard

In 1940s Stockholm, a young man named Bengt falls into deep, private turmoil with the unexpected death of his mother. As he struggles to cope with her loss, his despair slowly transforms to rage when he discovers that his father had a mistress. Bengt swears revenge on behalf of his mother's memory, but he soon finds himself drawn into a fevered and forbidden affair with the very woman he set out to destroy . . .

Written in a taut, restrained style, A Moth to a Flame is an intense exploration of heartache and fury, desperation and illicit passion. Set against a backdrop of the moody streets of Stockholm and the Hitchcockian shadows in the woods and waters of Sweden's remote islands, this is a psychological masterpiece by one of Sweden's greatest writers.

'Dagerman wrote with beautiful objectivity. Instead of emotive phrases, he uses a choice of facts, like bricks, to construct an emotion' Graham Greene

'Dagerman can evoke such emotion in a single sentence' Colm Tóibín

'There are some writers (Kafka and Lorca immediately spring to mind) who come to enjoy the status of saint; their lives and deaths constitute statements about existence and its proper priorities. A saint of this type is the Swedish writer Stig Dagerman' Times Literary Supplement

'This searing tale of bereavement and loathing feels all too relevant today' Guardian

Reviews

Dagerman wrote with beautiful objectivity. Instead of emotive phrases, he uses a choice of facts, like bricks, to construct an emotion

—— Graham Greene

Dagerman can evoke such emotion in a single sentence

—— Colm Toibin

There are some writers (Kafka and Lorca immediately spring to mind) who come to enjoy the status of saint; their lives and deaths constitute statements about existence and its proper priorities. A saint of this type is the Swedish writer Stig Dagerman.

—— Times Literary Supplement

A writer of uncommon urgency and power

—— Siri Hustvedt

A literary giant in Sweden, Dagerman conjures a Strindbergian atmosphere of shadowy menace in his brief, intense novel, A Moth to a Flame... The novel absorbs the reader effortlessly... The landscape round Stockholm, with its fog-bound flatlands and grey winter seas, is vividly evoked. This moody, death-haunted novel is well worth reading

—— Evening Standard

This searing tale of bereavement and loathing feels all too relevant today

—— Guardian

With elegance, saucy secrets, and forbidden love, American Royals is fast-paced and utterly charming. Katharine McGee's prose sparkles, capturing the glamour and pressures of an American monarchy

—— Kendare Blake, #1 New York Times bestselling author of the Three Dark Crowns series

There's enough palace intrigue, royal shenanigans, and even a smidgen of sex to satisfy anyone who loves a bit of gossip . . . An entertaining royal family modeled after the residents of Buckingham Palace.

—— Kirkus Reviews

McGee crafts a deliciously soapy American royal family . . . McGee's characters are well-crafted and flawed, giving the narrative emotional texture that elevates it above the dramatic formula

—— Publishers Weekly

For readers looking for intrigue-and for those who like their royal fever with a twist-this is a quick and delicious read

—— Booklist

A fun twist on history as we know it, and the ending will have readers hoping for a sequel

—— School Library Journal

I really enjoyed this book. For me it was The Crown meets Gossip Girl which was always going to be a fun combination. The structure, pace and characterisation made this an easy and very enjoyable read.

—— BookBag

Brilliant… Murakami is good company, that most precious of qualities in an author

—— Xan Brooks , Guardian

Murakami has produced a captivating novel, full of otherworldly detours and fascinating digressions

—— Jane Shilling , Daily Mail

One of the most influential novelists of his generation

—— Observer

From the very first page, I was gripped by the enchanting prose that Liese O’Halloran Schwarz has produced. Her language is beautiful. She communicates so much in such seemingly simple sentences. The book feels like an easy read, but underneath is a story that is worth telling, full of human problems and emotions.

—— Only Words and Pages blog

This book simply was an absolute delight to read. It's a story of epic proportions spanning a hundred years. It tells of impossible things made real. It blurs boundaries and spans generations. The writing flows and before you know it you're halfway through the book. It's such an uplifting story about the kindness of human nature and what it means to be alive. I loved every word.

—— Brew and Books blog

The story is beautiful

—— The Girl With All the Books blog

I loved this book…Highly recommended

—— Engrossed in a Good Book blog

A story with real heart - moving and subtle and often very touching

—— Literary Review

If tense family dramas are your thing, you'll love this. I found this story hugely engrossing and the characters so well-drawn, I became completely invested in their lives

—— Good Housekeeping

A candidate for one of my best books of the year. I savoured every word of this eloquent, lyrical novel, which explores how the secrets that families carry can effect future generations . . . I was swept up in the drama

—— Prima

An explosive study of family dynamics . . . moving and thought-provoking . . . a gripping family saga that tackles mental illness and addiction and explores how childhood can inescapably shape the future

—— Daily Express

Fans of Liane Moriarty, meet your new favourite author

—— Red

Family ties are stretched to breaking point in the baking hot New York summer of 1973 . . . A book that's full of life lessons for people in a particular stage of their lives

—— Mariella Frostrup, BBC Radio 4 Open Book

Keane draws two families in sharp, moving detail, effortlessly peeling back decades of history to look at friendship, mental health, and the changing and sometimes warped face of love

—— Sunday Post

A rare example of propulsive storytelling infused with profound insights about blame, forgiveness and abiding love

—— People

Displaying impressive reach . . . Keane delivers an epic of domestic emotional turmoil . . . Tender and patient, the novel avoids excessive sweetness while planting itself deep in the soil of commitment and attachment. Graceful and mature. A solidly satisfying, immersive read

—— Kirkus, starred review

An immersive read about family secrets and redemption

—— Alice O'Keefe , Editor's Choice, Bookseller

A gut-wrenching tale centered around the families of two rookie, next-door neighbor NYPD cops and a tragedy that reverberates over four decades. The book revolves around the bond between their children, the daily intimacies of marriage and the power of forgiveness

—— Good Morning America Summer Reads

One of the most unpretentiously profound books I've read in a long time . . . As a writer, Keane reminds me a lot of Ann Pratchett; Both have the magical ability to seem to be telling "only" a closely-observed domestic tale that transforms into something else deep and, yes, universal. In Keane's case, that "something else" is a story about forgiveness and acceptance - qualities that sound gooey, but are so hard to achieve in life . . . Modestly magnificent

—— Maureen Corrigan, NPR Fresh Air

An Updikean epic of intertwined families destabilized by grief and estrangement following a mother's breakdown, then redeemed by their enduring compassion for one another

—— Best Books by Women Summer 2019, OPRAH Magazine

10 new books to read this August

—— SheerLuxe

A powerful tale of two neighbouring families forever entwined by love and tragedy. . . A touching read

—— Woman's Weekly

Mary Beth Keane draws two families in sharp, moving detail . . . With hints of Curtis Sittenfeld about it - the way it effortlessly unspools years, but buffets you with a huge amount of detail - it considers friendship and mental ill health, how love changes and warps, and despite a fairly slow start, does so beautifully

—— The Herald

Poignant and powerful

—— Image

A miniature epic . . . like Elizabeth Strout, Keane is good at creating distinctive characters - flawed, empathetic men and women whose inner landscapes she captures in powerful, pared-down prose. The novel is a nuanced portrait of the impact of mental illness and addiction, the limitations and endurance of love and of how 'we repeat what we don't repair'

—— Belfast Telegraph

A thought-provoking read exploring mental illness, alcoholism and violence

—— Candis

Fans of Celeste Ng will love this modern American novel based on two families linked by tragedy and passion . . . A lovely mix of childhood memories growing in to adulthood, and its really powerful

—— Stellar

With the author's deftness of touch, characters are rendered as real as those you encounter in daily life, and it's hard not to think about them even after reading the last pages

—— Connaught Telegraph

An engrossing drama about family, forbidden love, the toll of mental illness and the power of mercy

—— People Magazine

A powerful novel about mental illness, alcoholism, love and redemption

—— Daily Express

Gripping and full of incident, a deft balance of horror and wit… As ever, Atwood cuts to the truth about women and power

—— Johanna Thomas-Corr , Evening Standard, *Book of the Week*

The oppressed feminist shriek of the first novel gets its more optimistic echo in The Testaments...has the dramatic thrust and power to scorch the memory

—— Serena Davies , Daily Telegraph

It is a measure of Atwood's virtuosity as a writer... that rather than picking up where she left off in 1985 when The Handmaid's Tale was published, she has written such a perfect companion piece

—— Mary Carr , Mail on Sunday Ireland

Like all good dystopian writers, she presents us with a cracked mirror in which we are asked
to see distorted images of ourselves

—— Robert Douglas-Fairhurst , The Times

If The Handmaid's Tale is disturbing, The Testaments is, in many ways, even more so. Less violent, sure, but Gilead isn't fresh and new at this point. It is a society that has existed for well over a decade, and as such it has become normality for all those who live there...this is, perhaps, far more frightening than the punishments and cruelty we see in the original text

—— Ann Dowd , Stylist

After Donald Trump's election, Ms Atwood came to be seen by some as a soothsayer... If The Handmaid's Tale was a warning, The Testaments has a more positive message... Ms Atwood says that it reflects a sense of hopefulness on her part

—— The Economist

For those waiting to find out what happened next, The Testaments is a fantastic conclusion to the story

—— Sarah Bates , Socialist Worker

The transgressive, deliciously dangerous mind of Margaret Atwood

—— Esquire

Compelling, poignant and controlled, Atwood's latest work will have any reader gripped

—— Harper's Bazaar

The Handmaid’s Tale and The Testaments can seem like dark tales for dark times. But Atwood argues that they are not. "Writing is always an act of hope,” she says, “because it assumes a reader. It assumes a reader in the future"... If what we need right now is a great big bundle of hope – and we do – I for one feel extremely reassured that Margaret Atwood is on hand to provide it.

—— Erica Wagner , New Statesman

Beautiful in its depth... It is in some ways the continuation and in some sense a response to the extraordinarily powerful world of Gilead she created in The Handmaid's Tale 30-odd years ago. There is a need now to look at what complicity, resilience and resistance might look like

—— Peter Florence, Chair of Booker Judges , The Times

Atwood mania is entirely merited. Not only is there no greater living writer, "Peggy Nature" as friends refer to her eco-activism, is our beloved sage. Her novels have engaged with myth, identity, the sisterhood, and our apocalyptic ecological crisis. Yet nothing has taken flight like her patriarchal dystopia, and nowhere more so than among women

—— Hannah Betts , Daily Telegraph

She's always before her time. Each novel is about something people become incredibly interested in half an hour later... There is this tradition of women's writing that uses irony and lightness of touch to deliver monstrous concepts and beliefs. It's that ironic voice that has helped her seamlessly move from one generation of reader to the next. That is the test of a great writer

—— Carmen Callil , Observer

A savage and beautiful novel, and it speaks to us today, all around the world, with particular conviction and power

—— Peter Florence, Booker Prize judge , Guardian

The Testaments has come at the right moment for her as well as us because she's now a real sage

—— Jeanette Winterson , Observer

A feast

—— Josie Long , Guardian

A truly dazzling literary feat that – blessed be the fruit – entirely lives up to the hope and the hype… Atwood’s particular genius is pushing and pushing at sexist tropes until they reach their grotesque but ultimately logical conclusion

—— Ceri Radford , Independent

The Testaments calls for thought and reflection… ideological commitment is not its only characteristic. It is also a thriller, with a fast-paced plot featuring many entangled concealments and dramatic confrontations… Atwood’s writing is at its incisive best... Atwood is not simply responding to our current anxieties… it is also her own testament, and a renewal of the warning of The Handmaid’s Tale

—— Dinah Birch , Times Literary Supplement

The Testaments is all the better for choosing other, quieter forms of resistance for women under Gilead’s rule… The sequel is able to buoy you as a reader in a way The Handmaid’s Tale had no interest in doing, but sit with it and it’s still slippery and at times satisfyingly unsatisfying. This is an intriguing book from a woman who knows she can do bleak any day of the week

—— Sophie Charara , Wired

The Testaments combines gripping entertainment with a complex sense of humanity

—— Sarah Ditum , Lancet

Lydia's fascinating tale serves almost as a prequel, while the girls' stirring battle is peppered with pithy wit. Praise be

—— Deirdre O'Brien , Sunday Mirror

Atwood has conjured a compelling sequel to The Handmaid’s Tale that is tautly plotted in spare, economical prose… In The Testaments, Atwood succeeds in regaining control of Gilead through words

—— Ruth Scurr , Spectator

Terrifying, rage-inducing and utterly gripping

—— Eastern Daily Press

The interaction between these three women is deftly drawn. The enemy never feels other than overwhelmingly malign, yet perversely human and fallible

—— Morag MacInnes , Tablet, *Novel of the Week*

The Testaments cements Aunt Lydia as one of the most fascinatingly monstrous anti-heroes in fiction

—— Abigail Chandler , SciFiNow

‘Reminds us of the vital connection between words and power and how important it is to validate women’s words in particular

—— Susan Watkins , Morning Star

But the biggest name, with the year’s biggest book, is Margaret Atwood: her Handmaid’s Tale sequel The Testaments

—— Guardian

The biggest publishing event of the year

—— Marta Bausells , ELLE

For my money, the single most exciting publishing event of the year

—— Bookseller

One of the most eagerly awaited books of the year

—— Daily Express

One of the year’s big novels will undoubtedly be Margaret Atwood’s sequel to The Handmaid’s Tale, The Testaments

—— The Times

It will be one of the literary events of the year

—— Vogue

We'll be poring over The Handmaid's Tale for the 100th time in readiness

—— Good Housekeeping

The hoopla around the launch of Margaret Atwood's The Testaments is more reminiscent of the unveiling of an iPhone or something Pokemon related than that of a mere book

—— Johanna Thomas-Corr , Observer

Tuesday was not merely Tuesday but Testaments Day, and the Capital Testaments Town

—— Hannah Betts , Daily Telegraph

Last week's release of Atwood's sequel, The Testaments, made the last Harry Potter launch look like a wet November afternoon...a truly dazzling literary feat that -- blessed be the fruit -- entirely lives up to the hope and the hype... Atwood's particular genius is pushing and pushing at sexist tropes until they reach their grotesque but ultimately logical conclusion

—— Ceri Radford , Independent

Taylor Swift would kill for this kind of drama... Now, to read it

—— Alice Jones , i paper

Spoiler discretion and a ferocious non-disclosure agreement prevent any description of who, how, why and even where. So this: it’s terrifying and exhilarating

—— Judges of the Booker Prize , Guardian

Terrifying and exhilarating

—— Peter Florence, Booker Prize judge , Guardian

Atwood’s musings on power and the patterns of history [is] as incisive as ever

—— Justine Jordon , Guardian, *Books of the Year*

Undeniably page-turning stuff

—— Robbie Millen and James Marriot , The Times, *Books of the Year*

A publishing sensation

—— Woman & Home

The perfect escapist pleasure

—— Hallie Rubenhold, winner of the Baillie Gifford Prize 2019 , Guardian

Page-turning stuff

—— The Times

Canada's visionary

—— Monocle

A delicious page-turner

—— New Scientist

A gripping novel with a satisfying conclusion

—— Charlotte Heathcote , Daily Mirror

The Testamnets is a cracking sequel to Margaret Atwood’s The Handmaid’s Tale and a timely warning about the lengths to which a patriarchal culture will go to control female sexuality

—— Alison Flood , Sunday Telegraph

A superb and suspenseful expose of misogyny and the moral ambiguity at the heart of a fanatical regime

—— Martin Chilton, Olivia Petter and Ceri Radford , Independent, *Books of the Decade*

[A] rare combination of a rollicking thriller with major political nous told one of our greatest living writers. Essential

—— Den of Geek, *Books of the Year*

An era-defining masterpiece

—— Waterstones.com

The Testaments… lived up to the hype

—— Anne Carter , Daily Express, *Books of the Year*

Superbly written and masterfully constructs the regime of Gilead more than its predecessor was able to

—— Will Evans , Exepose

The extraordinary Margaret Atwood... she's fabulous'

—— Hillary Clinton , Stylist

[A] compelling story

—— Jane Shilling , Daily Mail

Atwood's sequel shines with all the acuity and brilliance of the original, whilst continuing the story with flair and modern insight

—— Alice Manning , Nouse

There is no language I could use to express the emotion and beauty behind Margaret Atwood's words. Her work takes you on a journey of emotion - whether you are ready to fight, be kind, be vulnerable, stay strong or simply be, she takes you there

—— Elisabeth Moss

Thrilling, a meditation on courage which asks us to consider what our own response might be were we forced to choose between meek complicity and rebellion at risk of death

—— Madeleine Davies, Church Times

She's taken our times and made us wise to them

—— Ali Smith

Inspiring and deeply disturbing

—— Nicola Sturgeon
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