Triumphant...such a dazzling read...Atkinson gives Teddy's wartime experiences the full treatment in a series of thrilling set pieces. Even more impressive,though, is her ability to invest the more everday events with a similar grandeur...almost as innovative as Atkinson's technique in Life After Life - a possibly more authentic as an expression of how it feels to be alive...it ends on one of the most devastating twists in recent fiction...it adds a further level of overwhelming poignancy to an already extraordinarily affecting book.

There are glimpses of Sebastian Faulks' Birdsong and Ian McEwan's Atonement...But most poignantly, this is a sweeping, all-consuming novel that finds its way into your bloodstream and writes off your Sunday afternoon...truly extraordinary.

Engrossing...convincing and moving...I doubt that Atkinson's readers will be disappointed.

Subtly fine new novel…Ms Atkinson’s artistry…is marvellously delicate and varied…devastating.

This book is particularly lovely and melancholy...one of those writers that really can make you weep on one page and laugh on the next... She just has such a vast humanity for her characters.

Heartbreaking...an ambitious, sensitive and beautifully written novel by one of our most gifted storytellers.

The tender exploration of themes of family, love and loss contribute to the impact of this story that, like Life After Life, is beautifully written, stunningly constructed, and will linger long in the memory. Superb.

As ever, Kate Atkinson is adept at ferreting her way into the minds of unlovely characters until you feel you know and understand them...While this is a tale of a life spared, the tone is one of elegy.

Magnificent...In A God in Ruins, she's written not only a companion to her earlier book, but a novel that takes its place in the line of powerful works about young men and war, stretching from Stephen Crane's Red Badge of Courage to Kevin Powers' The Yellow Birds and Ben Fountain's Billy Lynn's Long Halftime Walk.

Kate Atkinson just keeps getting better…A God in Ruins is a stunner…I laughed out loud…this bleak and beautiful book…Atkinson’s genre-bending novels have garnered critical praise, but nothing on the order of a Rushdie, or even an Ian McEwan. A God in Ruins should change that.

A sprawling, unapologetically ambitious saga that tells the story of postwar Britain through the microcosm of a single family, and you remember what a big, old-school novel can do...especially impressive.

Atkinson follows up her Costa Award-winning Life After Life with a dazzling novel about the genteel Todd family… The narrative is less slippery, but no less compelling.

A riveting exploration of the complexities of family life

Kate Atkinson's understanding of how we work is off the scale

If you were blown away by Life After Life, you'll be dazzled by this companion piece...an extraordinary tour de force.

An engrossing read by any standards. One that kept me up late at night to discover what would happen next.

I would urge people not to dismiss this as a 'cat book'; it is too much about human interaction and relationships to be so simply defined. A novel with wide appeal. I predict it will make a popular Christmas gift.

I'm not ashamed to say it had me at meow.

A book that stands out within the world of cat literature ... and it's a world worth exploring.

I found myself sobbing ... unable, unwilling, to let this little book go.

The Travelling Cat Chronicles is as much a loving tribute to Japan’s obsession with and reverence for cats as it is an endearing introduction for non-Japanese readers to the country’s ever-fascinating culture and deeply rooted traditions.

A book that speaks volumes about our need for connection - human, feline or otherwise.

This touching novel of a brave cat and his gentle, wise human will resonate with lovers of animal tales, quiet stories of friendship, and travelogues alike.

Gentle, soft-spoken, and full of wisdom

A delight to read

Prepare to have your heartstrings tugged by this quirky tale

The Water Cure deserves a Sofia Coppola-style big-screen treatment, although its cultish overtones and sinister denouement are as reminiscent of The Wicker Man as The Virgin Suicides

Fatima Farheen Mirza’s A Place For Us is a radiant debut. It accretes its power, beauty, and insight through its tender witnessing of private and family life. With her deeply compassionate view, Mirza dignifies terrain often desecrated by contemporary culture: maternity, faith, the bonds of community, the yearning for goodness, and our duty to others. She shows us the destructiveness of our doubt in those we love, and the mercy of forgiveness. Most wondrously, with this felt and moving novel, Mirza creates a place in which rebellion and reverence seem to embrace

A Place for Us is a radiantly envisioned, beautifully achieved epic about nearly everything that matters: love, family, faith, freedom, betrayal, contrition, absolution. Fatima Farheen Mirza is a magnificent new voice

The title of the book echoes a song from West Side Story, itself a retelling of Romeo and Juliet. Here the warring forces are not two families but one, split by the tension between reverence and rebellion. The author's passion for her subject shines like the moon in the night sky, a recurrent image in this ardent and powerful novel

Extraordinary in its depth... slow-brewing, affecting

Ondaatje brings to life this work…with meticulous detail

Ondaatje is a skillfully deliberate writer

Warlight not only shines a light into the shadowy wars…but also the uncertain age of adolescene

This seam of subterfuge and the truth being gradually released from the shadows make Warlight gripping reading… Ondaatje adorns the walls with his characters like a master gallerist

Warlight is a layered, precisely written, erudite meditation on the damage we do when we make war. It’s eerily prescient.

Hypnotic.

An exquisite, elegiac account of a life forged in the shadow of other people's secrets, told in language as feathery and delicate as a moth.

I look above all else in fiction for sureness of touch with sentences – and that was abundantly in evidence…in Michael Ondaatje’s Warlight… [Warlight has] the unmistakable stamp of [the author] knowing exactly what [he’s] doing.

Ostensibly realistic, it is phantasmagoric… Everything he says bristles with improbable life. Reading it is like watching a movie in which, however much activity there is, the atmosphere dominates the plot

A meditative and dreamily lyrical espionage thriller

Ondaatje brings Warlight’s seemingly disparate fragments together with such skill that the ending feels not just satisfying but inevitable. The most lovely conjuring trick, it leaves you in awe of the magician. I emerged blinking into the glare of the 21st century, bereft in a way a novel hasn’t left me bereft for a longtime

Ondaatje’s onion of a novel, his first since 2011’s The Cat’s Table, combines rich intrigue with a meditation on how we rewrite our memories by examining them… a stunning return.

Magnificent.

Nothing in the world of this novel is ever redundant; nothing is accidental. Whenever you come across a striking detail…you can be sure it will crop up again, be charged with more significance, be joined with the rest of the story in a long chain of meaning.

Mesmerising.

Ondaatje’s first novel in seven years is also one of his best – a quiet but profoundly powerful book… A superior, espionage novel about the unstable, shape-shifting nature of personal history.

The evocation of night journeys through the fog-bound city and along mysterious canals and forgotten rivers is spellbinding.

Michael Ondaatje’s Warlight is one of the best books I’ve read in years. I’d pick it up again in a heartbeat.

Ondaatje’s prose is beautiful, and he successfully builds suspense and tension without seeming too heavy-handed

Michael Ondaatje is at his best when writing about awkward, quiet types

Brilliant dramatic tale

Ondaatje’s prose is consistently illuminating. Warlight is a meditation on the purpose and possibilities of storytelling

[T]his elegiac novel combines the stealth of an espionage thriller with the irresolute shift of a memory play, purposefully full of fragments, loss and unfinished stories. Wonderful

Warlight is a subtly thrilling story… It's a masterful book

[C]ompulsively and grippingly readable… Ondaatje is a marvelous writer, and Warlight is a novel which will continue to play in the reader’s imagination

For the lyrical strength of the prose alone, a new Michael Ondaatje novel is always a treat

Warlight is a layered, precisely written, erudite meditation on the damage we do when we make war

In Warlight we have a writer who knows exactly what he’s doing – and has constructed something of real emotional and psychological heft, delicate melancholy and yet, frequently, page-turning plottiness. I haven’t read a better novel this year

[Ondaatje’s] prose has a haunting musicality, which George Blagden brings out to the full.

Kushner’s writing is the most marvellous I read this year… time and again I found myself rereading paragraphs of The Mars Room for her perfectly turned sentences, the music of her prose