Author:Lindsey Davis
Another compelling and captivating historical mystery from the pen of multimillion-copy bestselling author Lindsey Davis. Ancient Rome is brought to life in all its humour, political manoeuvring and murderous intent...
'Davis' books make old Rome sound fun ... it is all so enjoyable' -- The Times
'The cast of characters is as various, corrupt, nasty and gnarled as the best of Dickens, described with similar scope and loving attention' -- Mail on Sunday
'Highly readable, funny and colourful.' -- TLS
'This is a more than five star book' -- ***** Reader review
'Another excellent Falco book that is difficult to put down' -- ***** Reader review
'Lindsey Davis produces yet another masterpiece' -- ***** Reader review
'A marvellous read' -- ***** Reader review
**************************************************************************************
LIQUID GOLD, COMPROMISED BY A MURDEROUS CARTEL...
Nobody was poisoned at the dinner for the Society of Olive Oil Producers of Baetica, though in retrospect this was quite a surprise...
Inimitable sleuth Marcus Didius Falco is back with a vengeance. On one night, a man is killed and Rome's Chief of Spies left for dead. This leaves no one except Falco to conduct the investigation.
With the passing of Ellis Peters, the title Queen of the Historical Whodunnit is temporarily vacant. Lindsey Davis is well suited to assume it - and she is funnier than Peters ... Davis' books make old Rome sound fun ... it is all so enjoyable
—— The TimesThe cast of characters is as various, corrupt, nasty and gnarled as the best of Dickens, described with similar scope and loving attention
—— Mail on SundayHighly readable, funny and colourful.
—— TLSHighly readable, funny and colourful
—— Times Literary SupplementIrresistible
—— Sunday TelegraphThe Golden Egg is Donna Leon on top form.
—— Good Book GuideDonna Leon is better than ever…Superb.
—— WI Life[T]his is a much darker version of Brunetti-land than the earlier novels…The character of the deaf mutes seems to serve as an allegory of the political landscape of Italy – the public silenced and ignored, whilst those in power continue the ancient Italian tradition of fiddle-playing.
—— The LadyThe descriptions of Venice and Venetian life are beautifully written and acutely observed … The author clearly has an excellent understanding of the Italian psyche and a profound knowledge of Venice and Venetian life. This is the 22nd book in Donna Leon’s Commissario Brunetti series and I can’t wait for the 23rd.
—— CrimereviewJohn le Carré takes us back to his favourite scenarios: Whitehall, the secret services, the gentleman's clubs, dodgy bankers, corrupt public schoolboys and gruesome American neo-cons . . . revelling once more in that imaginary world of secrets and lies that is le Carré's gift to us
—— Evening StandardTense, twisty, and driven by a melancholy insight into human motivation . . . deeply compelling
—— The WeekJohn le Carré is as recognisable a writer as Dickens or Austen, with an often-imitated but never rivalled cast of seedy spies, false lovers, public schoolboys struggling with guilt, and charming but immoral leaders of the brutal establishment . . . This is vintage le Carré and highly enjoyable
—— Financial TimesThrilling, suspenseful . . . Fans will not be disappointed
—— Sunday ExpressUtterly convincing characters, a tight plot . . . Wonderful
—— Sunday MirrorThrilling
—— ExpressChoreographed with unsettling precision
—— MetroWhen I was under house arrest I was helped by the books of John le Carré ... they were a journey into the wider world ... These were the journeys that made me feel that I was not really cut off from the rest of humankind
—— Aung San Suu KyiPlunges the reader into a modern-day thriller...Dad won't be able to put it down
—— Metro[It] has all the essential ingredients of his masterpieces: the dilemmas of duty, patriotism and decency
—— Simon Sebag Montefiore , Metro 'Books of the Year'John Le Carré at his masterful best . . . nobody does it better
—— Ben Macintyre , The Times 'Books of the Year'Widely hailed as a return to the good old Smiley days . . . le Carré writes with laconic elegance
—— Kate Saunders , The Times 'Books of the Year'