Author:Anthony Burgess,Andrew Biswell

Fully restored edition of Anthony Burgess' original text of A Clockwork Orange, with a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews
Edited by Andrew Biswell With a Foreword by Martin Amis
'It is a horrorshow story ...'
Fifteen-year-old Alex likes lashings of ultraviolence. He and his gang of friends rob, kill and rape their way through a nightmarish future, until the State puts a stop to his riotous excesses. But what will his re-education mean?
A dystopian horror, a black comedy, an exploration of choice, A Clockwork Orange is also a work of exuberant invention which created a new language for its characters. This critical edition restores the text of the novel as Anthony Burgess originally wrote it, and includes a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews, shedding light on the enduring fascination of the novel's 'sweet and juicy criminality'.
Anthony Burgess was born in Manchester in 1917 and educated at Xaverian College and Manchester University. He spent six years in the British Army before becoming a schoolmaster and colonial education officer in Malaya and Brunei. After the success of his Malayan Trilogy, he became a full-time writer in 1959. His books have been published all over the world, and they include The Complete Enderby, Nothing Like the Sun, Napoleon Symphony, Tremor of Intent, Earthly Powers and A Dead Man in Deptford. Anthony Burgess died in London in 1993.
Andrew Biswell is the Professor of Modern Literature at Manchester Metropolitan University and the Director of the International Anthony Burgess Foundation. His publications include a biography, The Real Life of Anthony Burgess, which won the Portico Prize in 2006. He is currently editing the letters and short stories of Anthony Burgess.
A terrifying and marvellous book
—— Roald DahlStill delivers the shock of the new ... a red streak of gleeful evil
—— Martin AmisThis is a book which really defies review; for its analysable qualities are overwhelmed by those imponderables which make a work 'great' in the untouchable sense. It must be read because, like Everest, 'it is there'.
—— GuardianThe outstanding figure in Australian fiction
—— New York TimesStands out among contemporary novelists like a cathedral surrounded by booths. Its forms, its impulse and its dedication to what is eternal all excite a comparison with religious architecture
—— Sunday TimesA mysterious central character, stunning writing and an ending that will leave you reeling makes The Other Typist the kind of book you can't get out of your head
—— Good HousekeepingI was absolutely gripped, I loved it
—— Alex Heminsley , The Claudia Winkleman Arts Show, BBC Radio 2The tension slowly rises as Rose is inextricably wrapped up in Odalie's strange world - one in which this glamorous stranger constantly reinvents her past
—— Daily ExpressAn intense psychological thriller that will appeal to fans of Notes on a Scandal
—— Sunday MirrorTake a dollop of Alfred Hitchcock, a dollop of Patricia Highsmith, throw in some Great Gatsby flourishes, and the result is Rindell's debut, a pitch-black comedy about a police stenographer accused of murder in 1920s Manhattan . . . deliciously addictive
—— Kirkus ReviewsA genuinely delightful, witty page turner, full of surprises
—— Diva