Chingonyi's poetic voice finds its full-throated maturity... Deep introspection becomes the vulnerable and brave heart of the book, rendered into jewel-like poems in "Origin Myth"... An elegantly spare, cathartic and poignant but never indulgent collection that invites repeated reading

A Blood Condition is a thing of beauty. It's a pleasure to read such a sure and strident second outing from one of our most celebrated young poets

I was changed by Kayo Chingonyi's recent volume of poems, A Blood Condition. The musicality and the hard reason is just so fresh, you feel altered by it

A Blood Condition has a dignity that honours the past without indulging in any overflow of personal feeling. Dignity is an interesting quality in a writer - it cannot be faked without presenting as pomposity. Chingonyi's authentic, reined-in passions are stirring... Chingonyi's poems grow out of gaps, out of the moments when nothing more can be done. The dead cannot be recovered, time cannot be reclaimed, the damage to the river is likely to be permanent, but a poem can be written and take its quietly powerful stand

A deep thread of loss runs through these poems, and an attempt to reintegrate a past that spans Zambia, Newcastle and London... These fine poems weigh their sorrows carefully, reminding us how best we might "carry a well of myth / in the pit of our pith"

There is thrilling formal accomplishment on display in these poems... poignant and moving... there are brilliant evocations of the north of England

Chingonyi seems to have hit upon the telling image, the poem-as-snapshot, as a means of making his writing at once more exposed and more sharply defined... This new version of Chingonyi's voice, whittled down to its essentials and built on the seen, is behind almost all the best poems here... A Blood Condition...[is] a significant development in his work

Kayo Chingonyi's second book, A Blood Condition, is one of the most arresting and beautiful set of poems of this or any year. His ability to blend music, grief and yearning is unmatched

Chingonyi’s poems are full of questions that need asking. His gift is for pushing poems further than you expected them to go. [A] striking quest of a debut

Powerful… These poems are essential and urgent and shine a light on British culture in an unique and spellbinding way

Kumakanda is an essential collection from one of the UK's most exciting poets. Kayo's poetry is beautiful, thoughtful, musical and nostalgic

A wonderful debut: music, race, deracination, love and death are all woven into a compelling portrait of a young man growing up, rendered in poems that are elegant yet conversational, fluent yet profoundly skillful, touched with heart-stopping lyricism. For the reader, an initiation not to be missed

When James Baldwin described the writer's goal as stringing together sentences that were as clean as a bone, he wasn't to know that poet Kayo Chingonyi's debut collection Kumukanda would achieve exactly that

The title poem Kumukanda is elegant, eloquent and moving... For all the particularity of his subject matters and his openness in exploring them, it’s the fine and sophisticated writing that makes me return to these poems

Exceedingly powerful; by turns furious, tender and bittersweet, taking as it does the overall theme of in-betweens. Ancestry versus contemporary rites of passage. The ambiguous versus the undeniable. Who you are, and who you choose to be seen as, versus who others perceive you to be

Chingonyi is the living writer who inspires and influences me the most

A beautiful exploration of grief and boyhood... Each poem is delivered with such precision and deftness

Pooley delivers not only acerbic, enchanting Iona but a compelling, tangled cast of quirky, complicated characters so engaging, it's enough to make you miss crowded commuter trains

This feel-good ensemble story will bring joy to readers who loved Anxious People and Eleanor Oliphant Is Completely Fine-not to mention fans of quirky London-set fare such as Ted Lasso...a warm, fun pick-me-up of a book

Clare Pooley has found a delightful way to bring home the point that we need each other

Leaving you with that fuzzy feeling you want from a feel-good book

Entertaining and uplifting

Filled with delightful characters... this heart-warming book explores relationships and the dilemmas of everyday life

Tackling many relevant issues, it's a heart-warming read

Poignant, totally joyful, this is a great read

A feel-good read, with great characters to care about, it takes current issues seriously but adds plenty of humour

[It leaves] the reader with that fuzzy feeling you want from a feel-good book. Fans of her previous hit, The Authenticity Project, will not be disappointed

A feel-good tale about the power of real-life connections

You can always rely on Pooley to deliver not just wonderful, lively characters but a story that leaves you feeling uplifted and hopeful

Batuman has taken what made The Idiot so brilliant, distilled it, and created an equally brilliant new work. Either/Or is unbridled joy.

Funny... Unforgettable... Batuman is particularly good on sex and sexual politics... The star feature is the narration... garrulous, rambunctious... full of baroque riffs and digressions.

A fresh voice is a rare thing, and Elif Batuman is one such.

Either/Or is extremely funny and delightfully ludic, as it probes the very act of reading from the point of view of confused university student Selin.

I was desperately looking forward to Elif Batuman's Either/Or, and it more than lived up to it.

Re-encountering Selin...felt like being reunited with an old friend.

Hilarious.

I greatly enjoyed the comic zing of Elif Batuman's delightful Either/Or

Witty, intelligent and funny... [Selin's] inner monologue is addictive enough to read a thousand more pages of, and I can only cross my fingers that this isn't the last instalment of the series.

Just as funny and self-aware and clever as The Idiot.

Funny, wry and insightful

Laugh out loud…hilarious and thoughtful