Author:Irvine Welsh

From Irvine Welsh’s bestselling books come four brilliant plays: Trainspotting, Filth and Marabou Stork Nightmares (all adapted by Harry Gibson) and Ecstasy (adapted by Keith Wyatt). Gathered together for the first time in one volume these adaptations of Irvine Welsh’s bestselling novels and novellas form a remarkable body of playwriting.Gritty dialogue, scenes of outstanding originality and dazzling comic energy characterise and distinguish these wonderful works.
Praise for Trainspotting: The best book ever written by man or woman... Deserves to sell more copies than the bible
—— Rebel IncPraise for Filth: A snarling epic...ugly, devastatingly funny, unremittingly nasty and pulls no punches... Don't dare miss it
—— ScotsmanPraise for Marabou Stork Nightmares: Mind-bendingly good
—— GQPraise for Ecstasy: Spiky, trashy and brutal… Brilliant, hilarious and infused with a kind of punkish morality
—— Sunday Express'Many respectable judges would put Edric in the top ten of British novelists currently at work . . . as a writer, he specialises in the delicate hint and the game not given away'
—— D.J. Taylor , Spectator'It will be surprising if this year sees a more disturbing or haunting novel'
—— Peter Kemp , The Sunday Times'Stunning . . . evocatively brings to life the stifling humidity and constant rainfall of the Congo'
—— John Cooper , The Times'A really brilliant first novel, he is obviously a major talent'
—— Prunella Scales'The match of the madder moments of John Irving or Tom Sharpe...this is a promisingly entertaining "lite" read'
—— The Times'At its best when taking pot-shots at a wide variety of modern ills - fast food, tabloid media, downsizing, soap-opera politics...One of Morgan's nicer inventions is a computer program that boils down complex texts to their essentials. Its treatment of the Old Testament renders it down to: "Because I say so, that's why"'
—— Independent'Suspenseful, atmospheric and highly intelligent, Jody Shields focuses a brilliant light on the murky world of imperial Vienna'
—— D. M. Thomas






