Author:Virginia Woolf

'One of the most moving, revolutionary artworks of the twentieth century' Michael Cunningham
Clarissa Dalloway, elegant and vivacious, is preparing for a party and remembering those she once loved. In another part of London, Septimus Warren Smith is suffering from shell-shock and on the brink of madness. Smith's day interweaves with that of Clarissa and her friends, their lives converging as the party reaches its glittering climax. Virginia Woolf's masterly novel, in which she perfected the interior monologue, brings past, present and future together on one momentous day in June 1923.
One of the few genuine innovations in the history of the novel
—— New YorkerOne of her greatest achievements, a book whose afterlife continues to inspire new generations of writers and readers
—— GuardianDark and twisty, and full of surprises and so smartly done.
—— Joanna CannonS J Watson has done it again. Even more compelling than Before I Go To Sleep
—— Lesley KaraS J Watson, pacing his story with mesmerising expertise, keeps you so invested in the fates of his characters
—— Jake Kerridge, Sunday ExpressI loved that behind this disturbing and clever plot there's a genuinely heartrending story.
—— Emma CurtisAn intriguing and unsettling new thriller.
—— FabulousIf you go down to Blackwood Bay, you're in for a dark surprise. FINAL CUT is a masterfully tense, taut and terrifying thriller.
—— Tim GlisterThere are so many twist and turns I was out of breath when I finished
—— Matt CainAn expertly crafted thriller. Claustrophobic and unnerving. Watson at his very best.
—— Will CarverA twisty psychological thriller.
—— Choice MagazineIncredibly atmospheric and captivating. I loved the way the mystery unfolded.
—— Karen HamiltonWatson is fascinating on the ins and outs of memory, and paces his story with mesmerising expertise.
—— Sunday ExpressStalingrad has been beautifully translated by Robert and Elizabeth Chandler, and lovingly pieced together, with the censored passages restored. Anybody who knows and admires Life and Fate would enjoy it (many of the same characters reappear)… It is a powerful war book
—— Victor Sebestyen , New StatesmanCompelling… [and] extraordinary storytelling… The English translation is an epic in itself… the story of the publication process sheds new light on how the typescript became almost as much of a battleground as the streets of Stalingrad. It gives a clear insight into the nature of Soviet political pressure, and of Grossman’s bravery… It’s a pleasure, albeit a bleak one, to see more of his brave work at last being rediscovered and published today, and his truth told
—— Vanora Bennett , ProspectMore than a novel, more than a history, more than graphic imagery, Stalingrad is written with an acute insight into the relationships of people caught up in the momentous tectonic shifts of history. A truly symphonic work… Robert and Elizabeth Chandler’s superb translation and editing…captures Grossman’s poetic intensity, bringing home the pain and the pity of a dying city
—— Gordan Parsons , Morning StarA gloriously written book
—— Mark Glanville , Jewish ChronicleThe novel in this new, uncensored version does constantly what the best journalism does, which is to offer us significant details and show how they form part of a larger story… [a] wonderful novel… The translation that the Chandlers have put together is a masterpiece of empathy, a true mirror of the values that Grossman consistently champions over the course of Stalingrad… an engrossing, coherent and deeply moving work of art… a truly remarkable achievement
—— James Womack , Literary ReviewAn argument to read him not only as a fervent critic of totalitarianism, but as a deeply compassionate writer with an extraordinary gift for portraying psychological complexity and sensory detail
—— New RepublicThis first English version of Stalingrad is a triumph on many levels… [Stalingrad] captures a definitive moment… [and Grossman] delivers an enduring tribute to the power of human spirit
—— Ella Walker , HeraldA seething fresco of combat, domestic routine under siege and intellectual debate, it confirms that Grossman was the supreme bard of the second world war
—— Economist, *Books of the Year*To read Stalingrad is to be immersed in a world where everything is in flux… The reader emerges from his pages exhausted and chastened, but hugely enriched… the translators have done a superb job. If you haven’t read Life and Fate, it would pay to read Stalingrad first and prepare for the marathon of both volume; if you have, Stalingrad is an essential companion’
—— Dougal Jeffries , BJGPA powerful account of families torn apart by probably the bloodiest campaign in history
—— Janet Margaret Hartley , Geographical[A] masterpiece
—— Lucy Beckett , Times Literary Supplement, *Books of the Year*A magnificent novel not only of war but of all human life
—— History Revealed, *Books of the Year*What Red Was is an impressively successful debut... if you are looking for a gripping yet thought-provoking read which will have you hooked from the first page, look no further than What Red Was
—— Libby Wright , PalantinteA gripping tale at once unfamiliar and unmistakably universal
—— BookRiotA gripping portrait of four young women in South Korea... its focus on the tangled and complicated nature of female friendship is universally familiar and fascinating
—— Refinery 29Hypnotising... you won't want to put it down until the very last page
—— Harper's BazaarYou'll find sisterhood at the heart of this ambitious book
—— New York Times Book ReviewTremain's extraordinary imagination has produced a powerful, unsettling novel in which two worlds and cultures collide
—— Cath Kidson MagazineTremain writes about this part of France so well because she has known it since childhood, and she captures a sensuality in the landscape that is both attractive and eerie... It is an enthralling book about the catastrophic disruption honesty can bring
—— Siobhan Kane , Irish TimesThe novel has all the formal structure of a medieval morality tale, along with its traditional dichotomies: rus and urbe, avarice and asceticism, chastity and lust
—— GuardianRose Tremain's thrilling Trespass is set in an obsure valley in Southern France... To be read slowly; Tremain's writing is too exquisite to hurry
—— The TimesTimeless but rooted; tangible but otherworldly. Meticulously plotted, with the musty sadness that comes of cleaving to the past, Trespass will reward your reading time
—— Scotland on SundayRose Tremain's novel begins with a scream and barely loosens its grip amid the sumptuously written pages that follow...subtly harnesses the stifling heat and dangerously feral landscape of southern France to unspool a psychologically disconcerting story of family skeletons and outsider tensions
—— MetroLike a sinister edition of A Place In the Sun directed by Alfred Hitchcock, with the depth and subtlety that make the book far more than a mere thriller
—— You Magazine (Daily Mail)






