Author:Pamela Jooste
The stories and legends of the Bushmen were told to Conrad when he was twelve years old. He was on a hunting trip with his father, Jack Hartmann, a brutal but confused man who 'gave' Conrad an old Bushman to teach him the ways of the land. Bastiaan taught him not only about the beasts and plants and soil, but inculcated in Conrad a philosophy that would remain with him throughout his life.
But at home Conrad learns a different set of rules as he and Beeky, the young sister he adores, huddle together listening to the sound of his mother being beaten and told she is trash. Jack Hartmann, a senator and man of power in the community, hates his wife and daughter as much as he loves his son and Conrad's mother impresses on him that he must always protect and guard his little sister.
As they achieve maturity, Conrad appears to conform to the vision his father has for him. He joins the army, fighting on the Namibian borders - a savage and hideous conflict. But Beeky defies her father and the establishment, goes her own way, yearning for a new South Africa, a new life, tenderness and kindness in place of hatred and derision.
The story of their fulfilment, tragedy, and the return of hope is the story of an ancient land fighting towards redemption.
'Her understanding of character and motivation, of the way in which humanity can shine through in one area and fail lamentably in another is outstanding. Unreservedly recommended'
—— James Mitchell , The Star, South Africa'Jooste is a sensitive writer and a master of understatement'
—— Isobel Shepherd Smith , The Times'A remarkable novel...ought to win prizes...a great book'
—— Jennifer Crocker , Cape TimesNo neater entertainment has emerged from the debris of our past on the sub-continent
—— GuardianA piece of technical wizardry
—— Daily Telegraph'A complex meditation on the frailty of fact and perspective'
—— The AustralianMaupin's work is like a drug: it's easy, it's fun and it leaves you greedy for more...superb
—— The AustralianThe great joy of this tender little novel is Deborah Moggach's sensory imagination
—— GuardianThe characterisation is superb, Moggach has brilliantly resurrected a world of genteel penury and intense, furtive sex, and the book exudes quiet excellence
—— Mail on SundayMaupin remains a great storyteller, a magnificently unrepentant liberal, and a wise, witty observer of the differences which make us human
—— Sunday TelegraphA creepy tale….set in a country house awash with secrets and strange happenings
—— Bella magazineShe takes relish in recreating a familiar Edwardian landscape, peopled by eligible cads and imperious dowagers... Jones’s highly combustible period piece makes the dramas at Downton look like a stroll in the park
—— Emma Hagestadt , IndependentDarkly humorous, quirky and engrossing, this is a ghostly tale full of twists and turns
—— Choice MagazineWhat a delicious read! Like something written by a wicked Jane Austen, here is love and error in a ramshackle manor house complete with railway survivors, a birthday party and a pony. I was completely captivated by its madcap nature and then, utterly unprepared for the strange fruit that the story became. Passing like a spring fever, here is a fairy tale that stays with you long after it is gone. I couldn't put it down
—— SARAH BLAKE, author of The PostmistressThe Uninvited Guests is at once a shimmering comedy of manners and disturbing commentary on class. It is so well-written, so intricately plotted, that every page delivers some new astonishment. It is a brilliant novel
—— ANN PATCHETT, author of State of WonderWhat opens as an amusing Edwardian country house tale soon becomes a sinister tragi-comedy of errors, in which the dark underbelly of human nature is revealed in true Shakespearean fashion. Sadie Jones is a most talented and imaginative storyteller, and The Uninvited Guests is a very clever novel
—— JACQUELINE WINSPEAR, author of Elegy for EddieI will be surprised if I read anything stranger this year but I can’t help admiring Jones’s whimsical invention and the quality of her writing
—— Vanessa Berridge , Daily ExpressA modern Mitford saga
—— ASOS MagazineAward-winning Sadie Jones' third novel is her best yet. Hugely enjoyable with a superb, supernatural twist
—— TabletCooly playful...the luscious prose is precisely steered
—— Helen Dunmore , GuardianAn intelligent and poignant reflection on death and loss… a fabulous read
—— Lesley Mc Dowell , Glasgow Sunday HeraldSadie Jones…enters new literary territory with a whimsical Edwardian farce that takes its lead from the darker offerings of Saki and JB Priestley...The novel's denouement is satisfyingly outlandish
—— Emma Hagestadt , IndependentWith elegant ease, Jones spins a good old-fashioned comedy of manners
—— Katie Owen , Sunday TelegraphAndrew Motion brings lyricism but, more importantly, rollicking adventure to this sequel to Treasure Island
—— Mail on Sunday