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Isabelle in the Afternoon
Isabelle in the Afternoon
Jan 10, 2026 1:18 AM

Author:Douglas Kennedy

Isabelle in the Afternoon

'A touching exploration of passion untested by domesticity' Mail on Sunday

Before Isabelle I knew nothing of sex.

Before Isabelle I knew nothing of freedom.

Before Isabelle I knew nothing of life.

Paris in the early Seventies. Sam, an American student, meets a woman in a bookshop. Isabelle is enigmatic, beautiful, older and, unlike Sam, experienced in love's many contradictions. Sam is instantly smitten - but wary of the wedding ring on her finger.

What begins as a regular arrangement in Isabelle’s tiny Parisian apartment transforms into a true affair of the heart, and one which lasts for decades to come.

Isabelle in the Afternoon is a novel that questions what we seek, what we find, what we settle for - and shows how love, when not lived day in, day out, can become the passion of a lifetime.

Praise for Douglas Kennedy

‘The absolute master of love stories with heart-stopping twists’ THE TIMES

‘Kennedy is skilled at zigzag plotting, blending domestic twists with turns created by global

affairs’ OBSERVER

Reviews

Kennedy is skilled at zigzag plotting, blending domestic twists with turns created by global affairs

—— Observer

Isabelle in the Afternoon is a devastatingly stunning novel...It is a very sensual tale portraying the intensity of a love, the ferocity of a passion filled with loss and regret. Emotional, poignant, intoxicating, beautiful

—— Swirl and Thread

Beautifully written and emotionally gripping, this compelling love story will stay with you

—— Candis

[A]tmospheric tale...It's a touching exploration of passion untested by domesticity

—— Mail On Sunday

Beautifully written [...] will resonate with anyone who's ever been in love

—— Heat

This is a heartfelt tale that cannot fail to move you

—— Woman's Weekly

The almost polyphonic breadth and rich nuance of Grossman’s prose is perfectly captured by Chandler’s translation, accomplished with his wife Elizabeth. At close on 1,000 pages, it’s a monumental achievement

—— UK Press Syndication

[Grossman’s] characters witness, suffer and reflect with a hyper-real intensity. It illuminates nearly every page like the hellish glow that lights up the night sky over Stalingrad

—— Economist

Stalingrad… teems with love, devotion and wonderful flashes of humour. Sometimes all three arrive at once… but the most indelible passages arrive during the battle itself. The blow-by-blow accounts of young men willing to die to gain enough time for reinforcements to arrive from the east bank of the Volga are positively Homeric

—— Tobias Grey , Financial Times

An amazing achievement of translation and scholarship. It’s lucid and readable, with moment of wonderfully evocative prose… an astonishing example of the compromises between creativity and censorship

—— Marcel Theroux , Guardian

[Grossman’s] faith in common decency and kindness as the best antidote to totalitarian tyrannies blows like a gale through the book

—— Max Davidson , Mail on Sunday

Grossman’s most humane writing about injustice and atrocity paradoxically emerges from his own didactic Socialist Realist style. His desire to connect individual lives with the great flow of history transformed itself in an ability to speak for individuals lost and destroyed in the flow… Even now, Vasily Grossman remains a stepson of the time

—— Rachel Polonsky , Times Literary Supplement

Rare is the book that weighs the same as an artillery shell, rarer still one that weighs on the conscience as if a moral obligation. Stalingrad does that… This is a book to be absorbed over the course of a life, read and re-read from new perspectives… Each reading of Stalingrad would represent a movement closer to its elusive core, to its heart that keeps on beating through time

—— Alasdair McKillop , Herald

Stalingrad has been beautifully translated by Robert and Elizabeth Chandler, and lovingly pieced together, with the censored passages restored. Anybody who knows and admires Life and Fate would enjoy it (many of the same characters reappear)… It is a powerful war book

—— Victor Sebestyen , New Statesman

Compelling… [and] extraordinary storytelling… The English translation is an epic in itself… the story of the publication process sheds new light on how the typescript became almost as much of a battleground as the streets of Stalingrad. It gives a clear insight into the nature of Soviet political pressure, and of Grossman’s bravery… It’s a pleasure, albeit a bleak one, to see more of his brave work at last being rediscovered and published today, and his truth told

—— Vanora Bennett , Prospect

More than a novel, more than a history, more than graphic imagery, Stalingrad is written with an acute insight into the relationships of people caught up in the momentous tectonic shifts of history. A truly symphonic work… Robert and Elizabeth Chandler’s superb translation and editing…captures Grossman’s poetic intensity, bringing home the pain and the pity of a dying city

—— Gordan Parsons , Morning Star

A gloriously written book

—— Mark Glanville , Jewish Chronicle

The novel in this new, uncensored version does constantly what the best journalism does, which is to offer us significant details and show how they form part of a larger story… [a] wonderful novel… The translation that the Chandlers have put together is a masterpiece of empathy, a true mirror of the values that Grossman consistently champions over the course of Stalingrad… an engrossing, coherent and deeply moving work of art… a truly remarkable achievement

—— James Womack , Literary Review

An argument to read him not only as a fervent critic of totalitarianism, but as a deeply compassionate writer with an extraordinary gift for portraying psychological complexity and sensory detail

—— New Republic

This first English version of Stalingrad is a triumph on many levels… [Stalingrad] captures a definitive moment… [and Grossman] delivers an enduring tribute to the power of human spirit

—— Ella Walker , Herald

A seething fresco of combat, domestic routine under siege and intellectual debate, it confirms that Grossman was the supreme bard of the second world war

—— Economist, *Books of the Year*

To read Stalingrad is to be immersed in a world where everything is in flux… The reader emerges from his pages exhausted and chastened, but hugely enriched… the translators have done a superb job. If you haven’t read Life and Fate, it would pay to read Stalingrad first and prepare for the marathon of both volume; if you have, Stalingrad is an essential companion’

—— Dougal Jeffries , BJGP

A powerful account of families torn apart by probably the bloodiest campaign in history

—— Janet Margaret Hartley , Geographical

[A] masterpiece

—— Lucy Beckett , Times Literary Supplement, *Books of the Year*

A magnificent novel not only of war but of all human life

—— History Revealed, *Books of the Year*

What Red Was is an impressively successful debut... if you are looking for a gripping yet thought-provoking read which will have you hooked from the first page, look no further than What Red Was

—— Libby Wright , Palantinte

A gripping tale at once unfamiliar and unmistakably universal

—— BookRiot

A gripping portrait of four young women in South Korea... its focus on the tangled and complicated nature of female friendship is universally familiar and fascinating

—— Refinery 29

Hypnotising... you won't want to put it down until the very last page

—— Harper's Bazaar

You'll find sisterhood at the heart of this ambitious book

—— New York Times Book Review

Tremain's extraordinary imagination has produced a powerful, unsettling novel in which two worlds and cultures collide

—— Cath Kidson Magazine

Tremain writes about this part of France so well because she has known it since childhood, and she captures a sensuality in the landscape that is both attractive and eerie... It is an enthralling book about the catastrophic disruption honesty can bring

—— Siobhan Kane , Irish Times

The novel has all the formal structure of a medieval morality tale, along with its traditional dichotomies: rus and urbe, avarice and asceticism, chastity and lust

—— Guardian

Rose Tremain's thrilling Trespass is set in an obsure valley in Southern France... To be read slowly; Tremain's writing is too exquisite to hurry

—— The Times

Timeless but rooted; tangible but otherworldly. Meticulously plotted, with the musty sadness that comes of cleaving to the past, Trespass will reward your reading time

—— Scotland on Sunday

Rose Tremain's novel begins with a scream and barely loosens its grip amid the sumptuously written pages that follow...subtly harnesses the stifling heat and dangerously feral landscape of southern France to unspool a psychologically disconcerting story of family skeletons and outsider tensions

—— Metro

Like a sinister edition of A Place In the Sun directed by Alfred Hitchcock, with the depth and subtlety that make the book far more than a mere thriller

—— You Magazine (Daily Mail)
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